Education
| Indiana University |
Bloomington, Indiana |
ABD |
Doctor of Music in Music Literature and Performance
Chair: Patricia Wise (Committee: Paul Kiesgen, Teresa Kubiak)
Major: Voice
Minor: Stage Direction |
| Georgia State University |
Atlanta, Georgia |
June 1995 |
Master of Music
Major: Vocal Performance |
| Emory University |
Atlanta, Georgia |
May 1992 |
Bachelor of Arts
Majors: Psychology and Liberal Studies |
Teaching Experience
| Private Voice Instructor |
Atlanta, GA |
2001-present |
- Maintain an active private voice studio
- Direct Master Classes and Group Voice Class upon request
|
| Adjunct Faculty |
Clayton College and State University, Morrow, GA |
Spring 2002 |
- Studio voice instruction for music majors
- Directed weekly master classes
- Managed program and course curricula by writing course syllabi
- Participated in the assessment of student learning outcomes
for the program and/or department
- Attended department, division, and College meetings as required
- Supported the integrity of curricula, encouraged student success,
and promoted the mission of the department as well as the College
as a whole
|
| Visiting Artist |
Atlanta Opera Studio, Atlanta, GA |
Nov 2001 |
- Conducted Opera Workshop under auspices of Atlanta Opera's education
initiative
- Assisted in the staging of Gilbert and Sullivan's H.M.S. Pinafore
|
| Visiting Artist |
MacMurray College, Jacksonville, IL |
Nov 2000 |
- Presented a voice master class
- Observed voice lessons and participated in the assessment of
student learning outcomes
- Performed as soloist for the MacMurray College Concert Choir's
annual fall concert
|
| Adjunct Faculty |
Brevard College, Brevard, NC |
Spring 1999 |
- Studio voice instruction for music majors
- Co-directed opera workshop
- Managed program and course curricula by writing course syllabi
- Participated in the assessment of student learning outcomes
for the program and/or department
- Attended department, division, and College meetings as required
- Participated in recruitment auditions as well as a faculty search
- Supported the integrity of curricula, encouraged student success,
and promoted the mission of the department as well as the College
as a whole
|
| Private Voice Instructor |
Bloomington, IN |
1997-2001 |
- Maintained an active private voice studio
- Directed Master Classes and Group Voice Class upon request
|
| Private Voice Instructor |
Atlanta, GA |
1995-1997 |
- Maintained an active private voice studio
- Directed Master Classes and Group Voice Class upon request
|
Stage Director, Noye's Fludde
|
Cathedral of St. Philip Atlanta, GA |
2002 |
| Stage Director, The Fantasticks |
Bloomington Music Works |
2001 |
| Stage Manager, The Pirates of Penzance |
Bloomington Music Works |
2000 |
| Stage Manager, Mavra and The Boar |
IU Studio Opera |
1999 |
| Assistane Stage Manager, Vanessa |
IU Opera Theater |
1999 |
| Vocal Direction, Into the Woods |
Newton County High School |
1993 |
| Vocal Direction, God Bless You Mr. Rosewater |
Ad Hoc Productions |
1992 |
| Music Direction, Into the Woods |
Ad Hoc Productions |
1992 |
| Vocal Direction, How to Succeed in Business
Without Really Trying |
Theater Emory / Ad Hoc |
1992 |
Honors and Scholarships
Pi Kappa Lambda, Eta Epsilon Chapter. Elected to Membership in 1995
Regent's Opportunity Scholarship Recipient, Georgia State University,
1993-1994
Psi Chi, Psychology Honor Society. Emory University, 1992
Miriam Boykin Scholarship Recipient, Emory University, 1989-1992
Professional Memberships
College Music Society
Opera America, Student Member
Professional Training
| Teachers |
Patricia Wise, Betty Boone, Mac Morgan |
| Coaches |
Shuichi Umeyama, Louisa Panou-Takahashi, Walter Huff |
Directors
|
Drew Minter, Nigel North, James Middleton, Scott Parry,
Louisa Panou-Takahashi, Dwight Coleman |
Conductors
|
Robert Shaw, Yoel Levi, Alfred Calabrese, Andrew Lawrence-King,
Paul Hillier, Nigel North, Stanley Ritchie, Stefano Vignati, Robert
Gehrenbeck, Jonathan Ng, Phillip Cheah, Christine Howlett |
Master Classes
|
Julianne Baird, Richard Miller, Catherine Malfitano,
Patricia Wise, Richard Alderson, William Fred Scott, American Bach
Soloists, Florence Kopleff, Nancy Maultsby, Valerie Walters |
Workshops
|
Amherst Early Music, July 2005
Vocal Performance and Teaching Workshop conducted by Richard Miller,
June 2000
|
Competitions
| Chimay Baroque Singing Competition Semifinalist, Chimay,
Belgium |
2000 |
| Mozarteum Competition Finalist, The Pro-Mozart Society
of Atlanta |
1994 |
| Thou Ever Blessed Morn, Cathedral Choirs of St.
Philip, Atlanta (Featured Soloist) |
Cathedral of St. Philip |
2004 |
| Requiem, Berlioz, Atlanta Symphony Orchestra and
Chorus |
Telarc |
2004 |
| Symphony No. 9, Beethoven, Atlanta Symphony
Orchestra and Chorus |
Telarc |
2003 |
| A Sea Symphony, Vaughan Williams, Atlanta Symphony
Orchestra and Chorus |
Telarc |
2002 |
| I am the True Vine, Arvo Pärt, Pro Arte Singers |
Harmonia Mundi |
2000 |
| Carols from the Old and New Worlds II, Pro Arte
Singers (Uncredited Soloist) |
Harmonia Mundi |
1998 |
| Requiem, Mozart, Atlanta Opera Orchestra and Chorus |
ACA Digital |
1998 |
| Angels on High, Robert Shaw Chamber Singers |
Telarc |
1997 |
| The Planets, Holst, Atlanta Symphony Orchestra
and Chorus |
Telarc |
1997 |
| Magnifical and Mighty, The Britten Choir |
ACA Digital |
1996 |
| Elijah, Mendelssohn, ASO and Chorus |
Telarc |
1995 |
| Daphnis and Chloé, Ravel, ASO and Chorus |
Telarc |
1995 |
| Stabat Mater, Szymanowski and Poulenc, ASO and
Chorus |
Telarc |
1994 |
| A Concert Tribute to Olivier Messiaen, Emory University,
The Britten Choir |
ACA Digital |
1993 |
| Grand and Glorius: Great Operatic Choruses, ASO
and Chorus |
Telarc |
1993 |
Areas of Research
Song Literature
"The Agony and the Pity: Owen, Sassoon, Graves and Musical Settings of
their War Poetry"
"The air de cour as a Metaphor for Musical Absolutism in the Court of
Louis XIV"
"The Dialectic of Schumann Interpretation: Eric Sams versus Richard Miller"
"Harris, Thomson, and Copland: Finding an American Voice"
"Richard Wagner, France and His French Songs"
Vocal Pedagogy
"General Vocal Pedagogy Knowledge: A Pre-test for an Undergraduate Vocal
Pedagogy Class"
"Singing a Well-Supported Belt Voice by Incorporating Bel canto Techniques"
"Menstruation and Singers"
"Vocal Pedagogy: Theory and Practice, A Handbook for an Upper-level Undergraduate
Course"
"Why Countertenor? Why Not?"
|