Education

Indiana University Bloomington, Indiana ABD
Doctor of Music in Music Literature and Performance
Chair: Patricia Wise (Committee: Paul Kiesgen, Teresa Kubiak)
Major: Voice
Minor: Stage Direction

Georgia State University Atlanta, Georgia June 1995
Master of Music
Major: Vocal Performance

Emory University Atlanta, Georgia May 1992
Bachelor of Arts
Majors: Psychology and Liberal Studies

Teaching Experience

Private Voice Instructor Atlanta, GA 2001-present
  • Maintain an active private voice studio
  • Direct Master Classes and Group Voice Class upon request
Adjunct Faculty Clayton College and State University, Morrow, GA Spring 2002
  • Studio voice instruction for music majors
  • Directed weekly master classes
  • Managed program and course curricula by writing course syllabi
  • Participated in the assessment of student learning outcomes for the program and/or department
  • Attended department, division, and College meetings as required
  • Supported the integrity of curricula, encouraged student success, and promoted the mission of the department as well as the College as a whole
Visiting Artist Atlanta Opera Studio, Atlanta, GA Nov 2001
  • Conducted Opera Workshop under auspices of Atlanta Opera's education initiative
  • Assisted in the staging of Gilbert and Sullivan's H.M.S. Pinafore
Visiting Artist MacMurray College, Jacksonville, IL Nov 2000
  • Presented a voice master class
  • Observed voice lessons and participated in the assessment of student learning outcomes
  • Performed as soloist for the MacMurray College Concert Choir's annual fall concert
Adjunct Faculty Brevard College, Brevard, NC Spring 1999
  • Studio voice instruction for music majors
  • Co-directed opera workshop
  • Managed program and course curricula by writing course syllabi
  • Participated in the assessment of student learning outcomes for the program and/or department
  • Attended department, division, and College meetings as required
  • Participated in recruitment auditions as well as a faculty search
  • Supported the integrity of curricula, encouraged student success, and promoted the mission of the department as well as the College as a whole
Private Voice Instructor Bloomington, IN 1997-2001
  • Maintained an active private voice studio
  • Directed Master Classes and Group Voice Class upon request
Private Voice Instructor Atlanta, GA 1995-1997
  • Maintained an active private voice studio
  • Directed Master Classes and Group Voice Class upon request

Technical Experience


Stage Director, Noye's Fludde

Cathedral of St. Philip
Atlanta, GA
2002
Stage Director, The Fantasticks Bloomington Music Works 2001
Stage Manager, The Pirates of Penzance Bloomington Music Works 2000
Stage Manager, Mavra and The Boar IU Studio Opera 1999
Assistane Stage Manager, Vanessa IU Opera Theater 1999
Vocal Direction, Into the Woods Newton County High School 1993
Vocal Direction, God Bless You Mr. Rosewater Ad Hoc Productions 1992
Music Direction, Into the Woods Ad Hoc Productions 1992
Vocal Direction, How to Succeed in Business Without Really Trying Theater Emory / Ad Hoc 1992

Honors and Scholarships

Pi Kappa Lambda, Eta Epsilon Chapter. Elected to Membership in 1995
Regent's Opportunity Scholarship Recipient, Georgia State University, 1993-1994
Psi Chi, Psychology Honor Society. Emory University, 1992
Miriam Boykin Scholarship Recipient, Emory University, 1989-1992

Professional Memberships

College Music Society
Opera America, Student Member

Professional Training

Teachers Patricia Wise, Betty Boone, Mac Morgan
Coaches Shuichi Umeyama, Louisa Panou-Takahashi, Walter Huff
Directors
Drew Minter, Nigel North, James Middleton, Scott Parry, Louisa Panou-Takahashi, Dwight Coleman
Conductors
Robert Shaw, Yoel Levi, Alfred Calabrese, Andrew Lawrence-King, Paul Hillier, Nigel North, Stanley Ritchie, Stefano Vignati, Robert Gehrenbeck, Jonathan Ng, Phillip Cheah, Christine Howlett
Master Classes
Julianne Baird, Richard Miller, Catherine Malfitano, Patricia Wise, Richard Alderson, William Fred Scott, American Bach Soloists, Florence Kopleff, Nancy Maultsby, Valerie Walters
Workshops

Amherst Early Music, July 2005
Vocal Performance and Teaching Workshop conducted by Richard Miller, June 2000

Competitions

Chimay Baroque Singing Competition Semifinalist, Chimay, Belgium 2000
Mozarteum Competition Finalist, The Pro-Mozart Society of Atlanta 1994

Choral Discography


Thou Ever Blessed Morn, Cathedral Choirs of St. Philip, Atlanta (Featured Soloist) Cathedral of St. Philip 2004
Requiem, Berlioz, Atlanta Symphony Orchestra and Chorus Telarc 2004
Symphony No. 9, Beethoven, Atlanta Symphony Orchestra and Chorus Telarc 2003
A Sea Symphony, Vaughan Williams, Atlanta Symphony Orchestra and Chorus Telarc 2002
I am the True Vine, Arvo Pärt, Pro Arte Singers Harmonia Mundi 2000
Carols from the Old and New Worlds II, Pro Arte Singers (Uncredited Soloist) Harmonia Mundi 1998
Requiem, Mozart, Atlanta Opera Orchestra and Chorus ACA Digital 1998
Angels on High, Robert Shaw Chamber Singers Telarc 1997
The Planets, Holst, Atlanta Symphony Orchestra and Chorus Telarc 1997
Magnifical and Mighty, The Britten Choir ACA Digital 1996
Elijah, Mendelssohn, ASO and Chorus Telarc 1995
Daphnis and Chloé, Ravel, ASO and Chorus Telarc 1995
Stabat Mater, Szymanowski and Poulenc, ASO and Chorus Telarc 1994
A Concert Tribute to Olivier Messiaen, Emory University, The Britten Choir ACA Digital 1993
Grand and Glorius: Great Operatic Choruses, ASO and Chorus Telarc 1993

Areas of Research

Song Literature

"The Agony and the Pity: Owen, Sassoon, Graves and Musical Settings of their War Poetry"
"The air de cour as a Metaphor for Musical Absolutism in the Court of Louis XIV"
"The Dialectic of Schumann Interpretation: Eric Sams versus Richard Miller"
"Harris, Thomson, and Copland: Finding an American Voice"
"Richard Wagner, France and His French Songs"

Vocal Pedagogy

"General Vocal Pedagogy Knowledge: A Pre-test for an Undergraduate Vocal Pedagogy Class"
"Singing a Well-Supported Belt Voice by Incorporating Bel canto Techniques"
"Menstruation and Singers"
"Vocal Pedagogy: Theory and Practice, A Handbook for an Upper-level Undergraduate Course"
"Why Countertenor? Why Not?"